Full Text Searchable PDF User Manual

Information specifically for:
DL-PAR64C183/B - Black
DL-PAR64C183/P - Polished
V1
This manual contains important information.
Please read before operating fixture.

2
IMPORTANT INFORMATION
Save original packing and documentation for warranty, service and return issues
.
Limited Warranty: This warranty covers defects or malfunctions in this equipment. This warranty lasts
for a period of one year from date of purchase. It is the owner’s responsibility to provide invoices for
proof of purchase, purchase date and dealer or distributor. If purchase date can not be provided,
warranty period will start at manufacture date. It is the sole discretion of Techni-Lux to repair or replace
parts or equipment. All shipping will be paid by purchaser. This warranty does not cover lamps, fuses,
belts, power semiconductors, relays, cleaning, standard maintenance adjustments or normal wear items
or any problem resulting from the following: improper wiring, incorrect voltage (including low or over
voltage conditions and lightning), abuse, misuse, improper maintenance or an act of God or damage
resulting from shipping. Warranty will be null and void if the product is altered, modified, misused,
damaged, or subjected to unauthorized repairs. Lamps are covered by relevant manufacturer warranty.
This warranty gives you specific legal rights, and you may also have other rights which vary from state to
state. Any liability for consequential and incidental damages is expressly disclaimed. No other warranty,
expressed or implied is made. Techni-Lux liability in all events is limited to, and shall not exceed, the
purchase price paid.
Returning equipment and Repairs: All returns must be accompanied by a Return Merchandise
Authorization (RMA) number and sent pre-paid. Contact the dealer or Techni-Lux directly to obtain an
RMA. The RMA number must be clearly listed on the shipping label. Due care must be exercised in
packing all merchandise to be returned. All repairs must be accompanied by a written explanation of the
claimed problem or error encountered. Techni-Lux is solely responsible for determining a product’s
eligibility for coverage under warranty. If returning for consideration of credit, all accessories and
documentation, original protective material and cartons must be included and the equipment, packing
and carton must be in new resalable condition. Credit for returned merchandise will be issued at the
lowest current price and is subject to a restocking fee. No returns accepted on discontinued items.
Techni-Lux is not responsible for merchandise damaged in transit and reserves the right to refuse any
return that is damaged by the carrier, not accompanied by a Return Authorization Number (RMA#) or
sent by freight collect.
Claims: All claims must be made within seven (7) days of receipt of merchandise. Any physical damage
must be reported to carrier upon receipt of merchandise.
Please record the following information for future reference:
Model Number (circle):
DL-PAR64C183/B or DL-PAR64C183/P
Serial Number: ________________________________________
Dealer: ______________________________________________
Date of Purchase: ______________________________________
www.Techni-Lux.com

3
Table of Contents
Specifications............................................................................................................................. 4
Unpacking................................................................................................................................... 5
Power .......................................................................................................................................... 5
Mounting..................................................................................................................................... 5
Basic Reference ......................................................................................................................... 6
Setup and Operation Modes (LED Display) ............................................................................. 6
Mode 1: Static Color Selection ................................................................................................. 7
Mode 2: Color Change Jump/Stepped ..................................................................................... 7
Mode 3: Color Fade.................................................................................................................. 7
Mode 4: Sound Active .............................................................................................................. 7
Mode 5: Slave .......................................................................................................................... 7
Mode 6: DMX ........................................................................................................................... 7
DMX-512 Control ........................................................................................................................ 8
DMX Data Connection.............................................................................................................. 8
Data Terminator ....................................................................................................................... 8
Adapter 5-to-3 pin..................................................................................................................... 8
DMX Start Address................................................................................................................... 9
DMX Channel Assignment ........................................................................................................ 9
CH 1 : Master Dimmer............................................................................................................. 9
CH 2 : Red.............................................................................................................................. 9
CH 3 : Green ........................................................................................................................ 10
CH 4 : Blue ........................................................................................................................... 10
CH 5 : Color Macro/Scroll..................................................................................................... 10
CH 6 : Shutter....................................................................................................................... 11
Maintenance ............................................................................................................................. 12
Accessory Items (sold separately) ......................................................................................... 12
Troubleshooting....................................................................................................................... 13
DMX-512 Background.............................................................................................................. 13

4
Specifications
Fixture Overview
•
RGB color mixing with intensity and strobe effects
•
183 total ultra bright 10mm LEDs: 60 red, 60 green, 63 blue
•
Beam Angle – 15°
•
Light Weight Aluminum Housing
•
7 Operating modes: DMX, Static Color, Color Changing, Color Fading, Sound Active,
Master/Slave
•
Precise DMX control using 6 channels
•
Static color mode with 7 color standards: red, green, blue, purple, yellow, cyan, white
•
Three frame holding clips plus 4th spring loaded clip with 10” filter frame
•
Digital LED display menu for settings
•
Dual yoke for floor or hang mounting
•
½” Clamp mounting hole
Physical
Color
Black or Polished
Size
13” x 11.25” x 10.6”
Weight
5.1 lbs (2.3 kg)
Housing Material
Aluminum
Environmental
Location
Indoor
Max. ambient temperature
105°F (40°C)
Min. distance to flammable surface
3.3ft (1m)
Min. distance to illuminated surface
1ft (0.3m)
Electrical
Voltage
110-240vAC, 50-60Hz
Rated Power
30W
Fuses
0.5 amp mini size: 5x20mm
Control
Digital Protocol
USITT DMX512 (1990)
Channels
6
Data I/O
3 Pin XLR (Cannon)
Modes
DMX512 or Stand-Alone
Optics
Light Source
183 High Output 10mm LED Elements
Beam Angle
15°
Rigging
Orientation
Any
Mounting Points
Adjustable yoke with 1/2” (13mm) mounting hole

5
Unpacking
Immediately upon receipt, carefully unpack and inspect the fixture to verify that all parts are
present and have been received in good condition. If any parts appear damaged from shipping
or the shipping carton shows signs of mishandling, notify the shipper immediately. Retain
carton and all packing material for inspection. In the event that the merchandise is to be
returned, the original carton and packing must be used. The customer will be billed for a new
carton and packing if merchandise is received without the original carton and packing.
Claims
Physical damage must be reported to the Freight Carrier or Shipping Company upon
receipt of merchandise. Damage incurred in shipping is the responsibility of the Freight
Carrier or Shipping Company. It is the customer’s obligation in the event that
merchandise is received damaged, to notify the Freight Carrier or Shipping Company
immediately. All other claims not related to damage incurred during shipping must be
made to the Dealer or Distributor within 7 days of receiving merchandise.
Returns
Returned merchandise must be in the original packing with a Return Merchandise
Authorization number (RMA) clearly listed on the shipping label. Items sent by Freight
Collect or without a RMA number will be refused. Call your sales person and request a
RMA prior to shipping. Be prepared to provide the model number, serial number and
description of the nature of the return. Shipping damage resulting from inadequate
packaging is the customer’s responsibility. Customer will be charged additional shipping
charges to return products received in non original packing and or cartons.
Power
Do not apply power to the fixture until power source is verified.
For protection against electric shock, fixture must be connected to suitable earth ground.
Make sure fixture is disconnected from power mains before any service.
This fixture automatically adjusts to mains voltage and frequency 100-240vac 50/60Hz. The
listed power rating is its average wattage under normal conditions. All fixtures must be powered
directly from a switched circuit. This fixture cannot be run on a rheostat or dimmer circuit even
if used solely for a 0% to 100% switching. Before applying power to a fixture, check that the
fixture’s input voltage matches the power source voltage. Consult a qualified electrician if there
are any concerns about proper connection to power.
Mounting
Always consult a qualified professional when rigging. Consider access for routine maintenance
when selecting a mounting position. This fixture may be mounted in any position provided there
is adequate room for movement and ventilation. Mount the fixture securely using a mounting
clamp and a safety cable. This fixture features dual yokes making it useful for floor standing at
different angles. Always keep cords out of the way, thus preventing any trip hazards. Secure all
cables properly. Do not mount where the fixture will be exposed to rain, high humidity, extreme
temperature changes or restricted ventilation. Do not obstruct any vents.

6
Basic Reference
Digital LED Segment
Fuse Holder
Display
Menu Setting Buttons
Female XLR 3-pin Data
Male XLR
Output
3-Pin Data
Input
Setup and Operation Modes (LED Display)
This fixture includes a filter frame. This frame can be used to hold a gel or filter
to better assist in controlling your light beam. By using certain filters, it is
possible to create different desired lighting effects. A desired effect might be a
softer or diffused light beam. This can be achieved by using a frosted gel
within the provided frame. Many diffraction materials are available to create
different beam angles with minimal light output losses.
The following refers to the different modes that are available on this fixture via the LED display.
Each mode is selectable from the display menu located at the back of the fixture. Modes 1 to 5
refer to the stand-alone operations that are available. Modes 1-4 do not require any data line to
be connected to the fixture to function. However, Mode 5 and Mode 6 require data cables to be
used. Mode 6 refers to the DMX controlled operation.
NOTE: When the LED display digit is flashing, you may select this mode and change the
setting by using the UP/DOWN keys to choose. After making your choice, press ENTER
to accept and save your setting.
Using the MODE key, press it until you reach the desired mode below. By entering such mode,
settings can be made to each function within the mode. These function options are explained
below. The last two digits are the level or speed of such selected mode.

7
Mode 1: Static Color Selection
– Display shows
C000
The C stands for color. This mode allows user to create a specific static color by allowing you to
adjust the level of each RGB color independently. By setting different levels of the RED,
GREEN and BLUE LEDS, you will be able to create millions of color combinations.
C100
RED: level adjustable from 00-99% on the display.
C200
GREEN: level adjustable from 00-99% on the display.
C300
BLUE: level adjustable from 00-99% on the display.
CF00
STROBE: adjusts the rate of flashing from 00-99% (speed).
Mode 2: Color Change Jump/Stepped
– Display shows
J000
Mode 2 allows the user to set the fixture to step (snap) through different colors and at different
speeds.
J300
RGB: steps through RGB at a speed set from 00-99%.
J700
7 COLOR: steps through 7 standard colors at a speed from 00-99%.
JF00
STROBE: sets the flashing speed from 00-99%.
Mode 3: Color Fade
– Display shows
F000
The F stands for Fade. Mode 3 allows the user to set the fixture to fade from one color to the
next and at different speeds.
F300
RGB: fades through RGB at a speed set from 00-99%.
F700
7 COLOR: fades through 7 standard colors at a speed from 00-99%.
FF00
STROBE: sets the flashing speed from 00-99%.
Mode 4: Sound Active
– Display shows
S000
Mode 4 uses the internal microphone to advance through the selected option from below. By
listening to ambient music, the fixture will make changes at audio peaks.
S300
RGB: steps through RGB at an audio sensitivity level from 00-99%.
S700
7 COLOR: steps through 7 colors at an audio sensitivity level from 00-99%.
SF00
STROBE: sets the flashing speed from 00-99%.
.
Mode 5: Slave
– Display shows
Slav
This mode puts the unit in DATA “listen” mode. The fixture waits for DATA to come from
another fixture. Each unit set to Slave mode responds the same as others in the data chain.
Mode 6: DMX
– Display shows
Addr
This mode allows you to control the unit using DMX 512 data. Use this mode to set your
starting DMX address for the fixture. Enter the start address from 1 to 505. Address 506 to 512
would not be valid selections since this unit requires 6 channels to operate minimum. The
following pages of this user manual explain addressing and DMX in more detail.

8
DMX-512 Control
Fixtures require a "Start Address" from 1 to 512, setting the first DMX channel containing data
for the fixture (see DMX Background). Before addressing fixtures, consult the manual of the
system’s DMX controller to select a desirable addressing scheme. Valid Start Addresses range
from 1 to 512. Fixtures requiring more than one channel for control will read subsequent
channels up to the total number of channels required. Since this fixture requires 6 channels of
DMX, if set to a Start Address of 7 it would use data from channels: 7 and 8, 9, 10, 11, 12.
Choose a Start Address so the channels used do not overlap with other fixtures. In some
cases, it may be desirable to set two or more same type fixtures to the same Start Address. In
this case, the fixtures will be slaved together and respond to the same data. Because all
fixtures see the same data, fixtures may be set to any address without concern for the order
they are connected by the DMX cables.
DMX Data Connection
This fixture uses 3 pin XLR type connectors and shielded twisted pair cable approved for EIA-
422/EIA485 use. Fixtures are connected in Daisy Chain topography: Connection is made from
the controller to the DMX-IN of the first light, then from the DMX-OUT to the DMX-IN of the next
light and so on. Only one data source can be on a chain and no branching is allowed. The
physical order in which the fixtures are connected is not important, use the most convenient.
Data Terminator
A Data Terminator can be connected to the DMX-OUT of the last fixture
to reduce the effects of signal noise; it is not required for all installations.
To make a Terminator, connect a 120-ohm ¼ watt resistor across pin 2,
Data Negative (S-) and pin 3, Data positive (S+). A qualified technician
can determine if a Data Terminator is needed.
Adapter
5-to-3 pin
Systems using 5 pin DMX interfaces can be accommodated by purchasing 3-to-5 pin
adapters or building adapter cables. Numbers designating each pin can be found on
connectors. Converting between the two XLR types is done in a pin-to-pin fashion.
Connect the shields to pin 1, then connect pin 2 to pin 2 and pin 3 to pin 3, regardless of
either connector’s gender or pin count. No connection is made to Pins 4 & 5.
DMX-OUT
1
2
3
- Ground
- Signal (-)
- Signal (+)
XLR Connector - Socket:
DMX-IN
1
2
3
- Ground
- Signal (-)
- Signal (+)
XLR Connector - Plug:
5 Pin
XLR (Plug)
Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)
Pin 4: N/C
Pin 5: N/C
3 XLR (S
)
Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)
Pin ocket
5 Pin XLR (Socket)
Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)
Pin 4: N/C
Pin 5: N/C
3 XLR (Plug)
Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)
Pin

9
DMX Start Address
To place the fixture in DMX mode, press the mode key until Addr is displayed. Press
enter and using the Up/Down buttons, set the start address number for this particular unit
in the DMX chain. Once selected, press ENTER again to save your selection. More than
one fixture may have the same start address, but they will behave the same. Giving a
unique start address that does not overlap with any other units allows you to individually
control that fixture’s features fully. Never allow channels to overlap.
Example
Select Start Addresses for 4 fixtures each requiring 6 channels of DMX.
For this example, start with the first unit set to the first possible Start Address =
1
. This fixture
occupies DMX channels 1 thru 6. The next DMX channel available for a Start Address is found
by adding the previous fixture’s Start Address to its channel requirement: 1+6=
7
. To maximize
channel usage, we will leave no empty channels between fixtures so the second Start Address is
set to DMX channel 7 and that fixture occupies channels 7 thru 12. The third fixture will be
addressed 7+6=
13
and occupy channels 13 thru 18. The last fixture is addressed 13+6=
19
and
will occupy channels 19 thru 24. Thus, 4 fixtures using 6 channels each have Start Addresses of
1, 7, 13
and
19
and the next free channel in the system is 19+6=25.
DMX Channel Assignment
Channel Function
1
Master Dimmer (0-255)
2
Red (0-255)
3
Green (0-255)
4
Blue (0-255)
5
0-4 No Function
5-84 Color Macro
85-169 Color Snap
170-255 Color Fade
6
Strobe (0-255)
CH 1 : Master Dimmer
The Master Dimmer controls the
actual output level while the
relative level of each color is set
by the R, G or B channels or the
Color Macro/Scroll Channel.
CH 2 : Red
Sets relative intensity of Red.
Actual value is subject to Master
Dimmer channels. The Color
Macro/Scroll Channel will
override this channel.
CH 1 – Master Dimmer
DMX Value
Function
0 – 4
Black Out
5-255
Intensity - Dark to Full Brightness
CH 2 – Red
DMX Value
Function
0-4
No Output
5-255
Intensity - Off to Full On

10
CH 3 : Green
Sets relative intensity of Green.
Actual value is subject to
Master Dimmer channels. The
Color Macro/Scroll Channel will
override this channel.
CH 4 : Blue
Sets relative intensity of Blue.
Actual value is subject to Master
Dimmer channels. The Color
Macro/Scroll Channel will
override this channel.
CH 5 : Color Macro/Scroll
The Color Macro/Scroll selects between 16 colors and two Color Scroll Modes. The first
Color Scroll Mode snaps between colors, the second Color Scroll Mode fades between
colors. This will override the relative values set by the individual RGB channels 2, 3 & 4.
CH 5 – Color Macro/Scroll
DMX Value
Function
0-4
No Macro or Scroll
5-9
Cool White
10-14
Lt. Blue
15-19
Blue
20-24
Purple
25-29
Blue Magenta
30-34
Magenta
35-39
Hot Pink
40-44
Pink
45-49
Red
50-54
Orange
55-59
Yellow
60-64
Lime
65-69
Lt. Green
70-74
Green
75-79
Teal
80-84
Cyan
85-89
Color Scroll Snap Speed 1 (Fastest)
90-94
Color Scroll Snap Speed 2
95-99
Color Scroll Snap Speed 3
100-104
Color Scroll Snap Speed 4
105-109
Color Scroll Snap Speed 5
110-114
Color Scroll Snap Speed 6
115-119
Color Scroll Snap Speed 7
120-124
Color Scroll Snap Speed 8
125-129
Color Scroll Snap Speed 9
130-134
Color Scroll Snap Speed 10
135-139
Color Scroll Snap Speed 11
CH 3 – Green
DMX Value
Function
0-4
No Output
5-255
Intensity - Off to Full On
CH 4 – Blue
DMX Value
Function
0-4
No Output
5-255
Intensity - Off to Full On

11
140-144
Color Scroll Snap Speed 12
145-149
Color Scroll Snap Speed 13
150-154
Color Scroll Snap Speed 14
155-159
Color Scroll Snap Speed 15
160-164
Color Scroll Snap Speed 16
165-169
Color Scroll Snap Speed 17 (Slowest)
170-174
Color Scroll FADE Speed 1 (Fastest)
175-179
Color Scroll FADE Speed 2
180-184
Color Scroll FADE Speed 3
185-189
Color Scroll FADE Speed 4
190-194
Color Scroll FADE Speed 5
195-199
Color Scroll FADE Speed 6
200-204
Color Scroll FADE Speed 7
205-209
Color Scroll FADE Speed 8
210-214
Color Scroll FADE Speed 9
215-219
Color Scroll FADE Speed 10
220-224
Color Scroll FADE Speed 11
225-229
Color Scroll FADE Speed 12
230-234
Color Scroll FADE Speed 13
235-239
Color Scroll FADE Speed 14
240-244
Color Scroll FADE Speed 15
245-249
Color Scroll FADE Speed 16
250-255
Color Scroll FADE Speed 17 (Slowest)
CH 6 : Shutter
The Shutter functions in all modes. The shutter effect will toggle the Master Level
between Off and its present value.
CH 15 – Shutter
DMX Value
Function
0-4
No Strobe
5-255
Strobe Effect - Slow to Fast

12
Maintenance
Make sure fixture is cool and disconnected from power mains before any service.
Weekly operating hours and environmental conditions will establish how often the fixtures need
cleaning. Fixtures should be cleaned and inspected at least once a month to maintain optimum
performance. Accumulation of dust and fog residue increases heat build up, can lead to
malfunctions, overheating and reduction in maximum light output, reduced fixture life and over
all performance. Before conducting any maintenance, disconnect fixture from power mains.
1) Disconnect fixture from power mains.
2) Use a vacuum with a soft brush to remove dust collected on external vents and internal
components. If using an air compressor, use low pressures and extreme care to prevent
damaging any internal parts or effects.
4) Clean all optical elements when the fixture is cold. Use a soft lint free cotton cloth or tissue
and cleaner safe for plastics.
5) Inspect clamps and safety cables to ensure fixture is secure and safe.
Accessory Items
(sold separately)
Order Code
Description
CLAMP-C
Medium Duty C-Clamp
CLAMP-MEGA/B
Mega Heavy Duty Aluminum Clamp
CLAMP-MINI/P
Mini Clamp Polished for 3/4"-2"
CLAMP-MINI/B
Mini Clamp Black for 3/4"-2"
CLAMP-CBHALF/N
Half Cheeseborough Coupler Narrow 300kg Max Load
SAFETYCABLE18B
Safety Cable Black 18”
SAFETYCABLE18S
Safety Cable Silver 18”
CA-XLR3/1
Pre-made 1’ 3-pin XLR Cable
CA-XLR3/5
Pre-made 5’ 3-pin XLR Cable
CA-XLR3/10
Pre-made 10’ 3-pin XLR Cable
CA-XLR3/25
Pre-made 25’ 3-pin XLR Cable
CA-XLR3/50
Pre-made 50’ 3-pin XLR Cable
CA-XLR3/100
Pre-made 100’ 3-pin XLR Cable
CO-XLR3M
XLR Connector 3-pin Male
CO-XLR3F
XLR Connector 3-pin Female
CO-XLR5M
XLR Connector 5-pin Male
CO-XLR5F
XLR Connector 5-pin Female
CO-XLRTERM3
XLR 3 Pin Data Terminator
CO-XLR3MTO5F
XLR 3 Pin Male to 5 Pin Female Adapter
CO-XLR5MTO3F
XLR 5 Pin Male to 3 Pin Female Adapter

13
Troubleshooting
Symptom
Possible Cause / Solution
Check for power on mains
No Power
Check main fuse and fuse holder
Check data cables: connection and proper wiring
Check Display settings
Erratic / No response to DMX
Check Start Address
Check Start Address
Check for overlapping addresses
Check Menu settings
Incorrectly responds to DMX
(Diagnostic technique for DMX issues: Set
suspect fixture’s Start Address the same as a
correctly functioning fixture. If both units then
function correctly, issue is programming)
Check Data cables (faults and proper wiring)
DMX-512 Background
DMX-512 is a digital data transmission standard developed by the United States Institute for Theater Technology
(USITT). It is designed to enable control of lighting equipment. DMX deals solely with the formatting of data for
transmission and does not dictate how the data is created or used.
Under DMX, signals are transmitted in much the same way a computer modem transmits data. The Data, divided
into channels, is "Framed" using a start bit, high (1), eight data bits and finally, two stop bits, both high (1). DMX
uses no parity to check the integrity of the signal. Instead, DMX relies on the ultra low probability of an error
occurring in the same place when the data is resent. The rate at which data is sent is fixed at 250k bps, almost four
and a half times faster that a 56k modem. This speed allows all data on a DMX chain to be updated more than 44
times every second.
The transmitted data follows a specific format. DMX allows for 512 channels each with eight data bits, giving each
channel the possibility of 256 values. When a data "Packet" is sent, all channels are transmitted one after another.
Even if the data on a specific channel has not been changed, it must be sent. In a packet, a "start code" of all zeros
is sent before the data to identify the signal as a Standard DMX transmission. This start code is transparent to the
user and is handled by the controller.
The physical signals are transmitted using a twisted pair of wires and a common shield, a configuration called
Balanced. The controller and all receiving equipment are connected using a “Daisy Chain" connection. The signal
is jumped from the controller to a piece of DMX equipment. From there, the signal is jumped to the next piece of
equipment and so on until the last piece of equipment is connected. No branches are allowed and the signal does
not come back to the controller. The final piece of equipment will have only one cable connection. As a result, all
equipment connected to the chain will see exactly the same signal whether it is first or last. When connecting
equipment, no particular attention needs to be paid to the order in which the equipment is connected. Depending on
the conditions and equipment, a line terminator may be required. If there is any question, in most circumstances the
addition of a terminator will not degrade the signal. To make a terminator, attach a 120-ohm resistor between the
Signal Data Negative and Signal Data Positive pins of a connector in the last piece of equipment in the chain.
The DMX Standard uses 5 pin XLR connectors. However, it is common to see
fixtures with 3 pin XLR connectors as these types of balanced or “Lo-Z” cables
are common in the audio industry. In either case, pin numbers are the same and
carry the same signals.
10900 Palmbay Drive • Orlando, FL 32824 U.S.A.
www.techni-lux.com
Pin
Connection
1
Common (Shield)
2
Data Negative (S- or Cold)
3
Data Positive (S+ or Hot)
4
n/c (not used)
5
n/c (not used)