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Techni-Lux DL-FLEXILED1C30/B Manual

Made by: Techni-Lux
Type: Manual
Category: DJ Equipment
Pages: 14
Size: 0.22 MB

 

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1

 

 
 
 

 
 
 

 

 
 
 
 
 
 
 
 

Information specifically for:

 

 

 

DL-FLEXILED1C30/B - Black 

 

 

 

 

 

 

 

 

 

 

 

V1.1 

This manual contains important information.

Please read before operating fixture.

 


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2

IMPORTANT INFORMATION

 

 
 

Save original packing and documentation for warranty, service and return issues

 
 
Limited Warranty: This warranty covers defects or malfunctions in this equipment.  This warranty lasts for 
a period of one year from date of purchase.  It is the owner’s responsibility to provide invoices for proof of 
purchase, purchase date and dealer or distributor.  If purchase date can not be provided, warranty period 
will start at manufacture date.  It is the sole discretion of Techni-Lux to repair or replace parts or 
equipment.   All shipping will be paid by purchaser.  This warranty does not cover lamps, fuses, belts, 
power semiconductors, relays, cleaning, standard maintenance adjustments or normal wear items or any 
problem resulting from the following: improper wiring, incorrect voltage (including low or over voltage 
conditions and lightning), abuse, misuse, improper maintenance or an act of God or damage resulting 
from shipping.  Warranty will be null and void if the product is altered, modified, misused, damaged, or 
subjected to unauthorized repairs.  Lamps are covered by relevant manufacturer warranty. This warranty 
gives you specific legal rights, and you may also have other rights which vary from state to state.  Any 
liability for consequential and incidental damages is expressly disclaimed.  No other warranty, expressed 
or implied is made.  Techni-Lux liability in all events is limited to, and shall not exceed, the purchase 
price paid. 
 
Returning equipment and Repairs:  All returns must be accompanied by a Return Merchandise 
Authorization (RMA) number and sent pre-paid.  Contact the dealer or Techni-Lux directly to obtain an 
RMA.  The RMA number must be clearly listed on the shipping label.  Due care must be exercised in 
packing all merchandise to be returned.  All repairs must be accompanied by a written explanation of the 
claimed problem or error encountered.  Techni-Lux is solely responsible for determining a product’s 
eligibility for coverage under warranty.  If returning for consideration of credit, all accessories and 
documentation, original protective material and cartons must be included and the equipment, packing 
and carton must be in new resalable condition. Credit for returned merchandise will be issued at the 
lowest current price and is subject to a restocking fee.  No returns accepted on discontinued items.  
Techni-Lux is not responsible for merchandise damaged in transit and reserves the right to refuse any 
return that is damaged by the carrier, not accompanied by a Return Authorization Number (RMA#) or 
sent by freight collect.   
 
Claims:  All claims must be made within seven (7) days of receipt of merchandise.  Any physical damage 
must be reported to carrier upon receipt of merchandise. 
 
 

Please record the following information for future reference: 
Model Number:  

DL-FLEXILED1C30/B 

 

Serial Number: ________________________________________ 

 

Dealer: ______________________________________________ 

 

Date of Purchase: ______________________________________ 

 
 

www.Techni-Lux.com

 

 
 

 


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3

Table of Contents 
 

Specifications .............................................................................................................................4

 

Unpacking ...................................................................................................................................5

 

Power...........................................................................................................................................5

 

Mounting .....................................................................................................................................5

 

Basic Reference..........................................................................................................................6

 

Setup and Operation Modes (LCD Display)..............................................................................6

 

Control Panel Menu ..................................................................................................................7

 

DMX Channel Assignments .......................................................................................................8

 

Fixture Mode (DMX512)............................................................................................................8

 

4 Channel Mode........................................................................................................................8

 

5 Channel Mode........................................................................................................................8

 

6 Channel Mode........................................................................................................................8

 

7 Channel Mode........................................................................................................................9

 

Channel Values and Functions – 7 Channel Mode ...................................................................9

 

DMX-512 Control.......................................................................................................................11

 

DMX Data Connection ............................................................................................................11

 

Data Terminator ......................................................................................................................11

 

Adapter 5-to-3 pin ...................................................................................................................12

 

DMX Start Address .................................................................................................................12

 

Maintenance ..............................................................................................................................13

 

Accessory Items (sold separately)..........................................................................................13

 

Troubleshooting .......................................................................................................................14

 

DMX-512 Background...............................................................................................................14

 

 


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4

Specifications 

 

Fixture Overview  

  RGBW color mixing with intensity and strobe effects 

  30 x 1 watt LED - 8 Red, 8 Green, 8 Blue and 6 White  

  Beam Angle – 15° 

  Rugged Aluminum Housing 

  Operating modes: DMX, Scene Memory, Chases, Sound Active, Master/Slave  

  Precise DMX control using 7 channels (reduced channel modes  

  Filter frame holding slot and frame included 

  Quick beam shaping using optional LSD filters in the included frame  

  Digital LCD display menu for settings 

  Optional beam angle lenses: 25, 30, 45 

  ½” Clamp mounting hole 

 

Physical  

Color 

   Black 

Size   

 

 

11” x 12.0” x 10” 

Weight 

 

 

8.8 lbs (4 kgs) 

Housing Material 

 

Aluminum 

 

Environmental 

Location 

     Indoor 

Max. 

ambient 

temperature 

   105°F 

(40°C) 

Min. distance to flammable surface 

 

3.3ft (1m) 

Min. distance to illuminated surface 

 

1ft (0.3m) 

 

Electrical 

Voltage 

 

 

Internally selectable 120 or 230vAC, 50-60Hz 

Rated 

Power 

  48W 

Fuses  

 

 

2 amp mini size: 5x20mm  

 

Control 

Digital Protocol 

 

USITT DMX512 (1990) 

Channels 

 

 

4, 5, 6, or 7 maximum 

Data I/O 

 

 

5 Pin XLR (Cannon) 

Modes   DMX512 

or 

Stand-Alone 

 

Optics 

Light Source   

 

30 RGBW 1 watt LEDS - 8 Red, 8 Green, 8 Blue and 6 White 

Beam 

Angle 

  15° 

 

Rigging 

Orientation 

  Any 

Mounting Points 

 

Adjustable yoke with 1/2” (13mm) mounting hole and kick 
stand yoke for floor standing 

 


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5

Unpacking 

Immediately upon receipt, carefully unpack and inspect the fixture to verify that all parts are 
present and have been received in good condition.  If any parts appear damaged from shipping 
or the shipping carton shows signs of mishandling, notify the shipper immediately.  Retain 
carton and all packing material for inspection.  In the event that the merchandise is to be 
returned, the original carton and packing must be used.  The customer will be billed for a new 
carton and packing if merchandise is received without the original carton and packing. 
 

Claims 

Physical damage must be reported to the Freight Carrier or Shipping Company upon 
receipt of merchandise.  Damage incurred in shipping is the responsibility of the Freight 
Carrier or Shipping Company.  It is the customer’s obligation in the event that 
merchandise is received damaged, to notify the Freight Carrier or Shipping Company 
immediately.  All other claims not related to damage incurred during shipping must be 
made to the Dealer or Distributor within 7 days of receiving merchandise.  

 

Returns 

Returned merchandise must be in the original packing with a Return Merchandise 
Authorization number (RMA) clearly listed on the shipping label.    Items sent by Freight 
Collect or without a RMA number will be refused.   Call your sales person and request a 
RMA prior to shipping.  Be prepared to provide the model number, serial number and 
description of the nature of the return.  Shipping damage resulting from inadequate 
packaging is the customer’s responsibility.  Customer will be charged additional shipping 
charges to return products received in non original packing and or cartons. 

 
 

Power 

 

Do not apply power to the fixture until power source is verified. 

 

For protection against electric shock, fixture must be connected to suitable earth ground. 
Make sure fixture is disconnected from power mains before any service. 

 
The mains voltage and frequency of this fixture is internally set. It can either be set to 120v or 
230v AC 50/60Hz.  The listed power rating is its average wattage under normal conditions. All 
fixtures must be powered directly from a switched circuit.  This fixture cannot be run on a 
rheostat or dimmer circuit even if used solely for a 0% to 100% switching.  Before applying 
power to a fixture, check that the fixture’s input voltage matches the power source voltage.  
Consult a qualified electrician if there are any concerns about proper connection to power. 
 
 

Mounting 

Always consult a qualified professional when rigging.  Consider access for routine maintenance 
when selecting a mounting position. This fixture may be mounted in any position provided there 
is adequate room for movement and ventilation.  Mount the fixture securely using a mounting 
clamp and a safety cable.  This fixture features dual yokes making it useful for floor standing at 
different angles. Always keep cords out of the way, thus preventing any trip hazards. Secure all 
cables properly. Do not mount where the fixture will be exposed to rain, high humidity, extreme 
temperature changes or restricted ventilation.  Do not obstruct any vents. 

 


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6

Basic Reference 

 

 

 

 

 

 

 

 

 

 

Power/Data Indicator 

Digital LCD Display   

 

 

 

 

 

 

          

 
                                                                                                                      Audio Indicator    
 
 
 
Menu Setting Buttons 
                                                                                                                             Microphone 
 
                                                                                                                             
 
 
 
 
 
 
 
 
 
 
 
 
 
Power Input Cable         Fuse Holder          Female XLR 5-pin      Male XLR 5-pin 

    Data Output  Cable    Data Input Cable  

 

This fixture includes a filter frame.  This frame can be used to hold a gel or filter 
to better assist in controlling your light beam.  By using certain filters, it is 
possible to create different desired lighting effects.  A desired effect might be a 
softer or diffused light beam.  This can be achieved by using a frosted gel within 
the provided frame.  Many diffraction materials are available to create different 
beam angles with minimal light output losses.  

 

 

 

Setup and Operation Modes (LCD Display) 

The following refers to the different modes that are available on this fixture via the LCD Control 
Panel display. All functions are selectable from the display menu located at the back of the 
fixture.  DMX and Slave modes require data cables to be connected between fixtures. Master 
Mode can run the fixture independently and only requires data cables when linking to fixtures in 
Slave Mode.  Only one Master can be on a link and no Masters are allowed when using DMX.  
When this unit powers up, it will display “System On.” 

 


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7

Control Panel Menu 

The fixture’s Control Panel accesses the Control Menu.   

  MENU Key: activates the Menu mode, also used as a BACK key between options 

  UP/DOWN Keys: move through menu options and change assigned values.  

  ENTER Key: select a displayed menu option and store a change.   

 
Press MENU to enter the Control Menu and the UP/DOWN keys to select a menu item. 
The ENTER Key selects the displayed menu item while the MENU Key moves back to 
the previous item.  To alter the value of a menu option press the ENTER Key, a flashing 
display indicates the value can be altered.  Using the UP/DOWN Keys, select the new 
value.  Press ENTER to store the change. 
 

Control Panel Menu 

 

 

Address 

Sets the DMX Start Address 

DMX: 0-512 

 

Balance  

On/Off 
Red:0-255 
Green: 0-255 
Blue: 0-255 

Color Balance 

Enables activation and setting of custom color balance 
settings.  For best results set Green=100% then set 
Red and Blue to achieve the desired white.

 

RGBW 

White: 0-255 

Display 

Sets the display to be on only when active 

On/Off 

 

Reset 

Reset System Sure? 
Red: 0-255 
Green: 0-255 
Blue: 0-255 

Test 

White: 0-255 
Scene01/.../08 
       Red: 0-255 
       Green: 0-255 
       Blue: 0-255 
       White: 0-255 

Prog/Scene 

       Strobe: 0-255 
Chase01/.../16 

Manual 

Options to manually test or reset the unit.  Also allows 
setup of custom looks for Scenes and Chases.  
Individual Scenes and Chases are turned On/Off 
under the Prog_Play menu option for inclusion or 
exclusion in the Standalone modes.

 

Prog/Chase 

       Speed: 0-255 

Master 

On/Off 

Slave 

On/Off 
Scene01/.../08 :  On/Off 

Prog_Play 

Chase1/.../16 : On/Off 

Standalone 

Master mode is used for standalone operation without 
data cables or with data cables to synchronize units 
set to Slave mode.  Sound mode advances Scenes 
and Chases using an internal microphone with user 
selectable sensitivity level.  Prog-Play allows the 
selection of which Scenes and Chases are active.  

Sound 

Off/1...99 

Note: DMX Mode requires Master=OFF, Slave=OFF 
Note: Master Mode runs Scenes AND Chases enabled under Prog_Play. 
Note: Sound Mode requires Master=ON, runs Scenes AND Chases enabled under 
Prog_Play. 
Note: Reset reloads DMX Address 001 and resets default Scenes AND Chases. 

 


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8

DMX Channel Assignments 

 

Fixture Mode (DMX512) 

Fixture Mode has several channel configuration options DMX512 control.  Fixture Mode 
does not display in the standard Control Menu. To access the Fixture Mode options, 
before applying power, press and hold the MENU key.  Continue holding the MENU key 
for approximately 6 seconds after applying power to the fixture. The unit will display 
MODE.  The factory default MODE is set to “04”, the 7 channel DMX.  After selecting the 
desired mode, press and hold the ENTER key until “Successfully” is displayed.  Fixture 
will resume operation after short delay or power can be cycled.. 
 

Mode Function 

Display DMX 

Mode 

01 

4 Channel Mode – Standard RGBW 

02 

5 Channel Mode – Adds Master Dimmer 

03 

6 Channel Mode – Adds Master Dimmer and Strobe 

04 

7 Channel Mode – Adds Master Dimmer and Macro 

 
 

Using the 7 channel mode provides the most features, however it takes up the most 
channels of DMX. The different channel assignments are shown below. 

The factory 

default is the 7 channel mode.

 We will provide a full description of the values and 

functions of the 7 channel mode only. All other modes of less channels, do the same 
functions described within the 7 channel mode. 

Note that the channel order maybe 

different for each of the mode.

      

 

4 Channel Mode

  

 
 
 
 
 

 

5 Channel Mode

  

 
 
 
 
 
 

 

6 Channel Mode

  

 
 
 
 
 
 
 

Channel

Function 

1 Red 

(0-255) 

2 Green 

(0-255) 

3 Blue 

(0-255) 

4 White 

(0-255) 

Channel

Function 

1 Red 

(0-255) 

2 Green 

(0-255) 

3 Blue 

(0-255) 

4 White 

(0-255) 

Master Dimmer (0-255) 

Channel

Function 

1 Red 

(0-255) 

2 Green 

(0-255) 

3 Blue 

(0-255) 

4 White 

(0-255) 

Master Dimmer (0-255) 

6 Strobe 

(0-255) 

 


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9

7 Channel Mode

  

 

 
 
 
 
 
 
 
 

Channel Values and Functions – 7 Channel Mode 

 

CH 1  : Master Dimmer 

The Master Dimmer controls the 
actual output level while the 
relative level of each color is set 
by the R, G or B channels or the 
Color Macro/Scroll Channel. 

 

CH 2   : Red 

 Sets relative intensity of Red.  
Actual value is subject to Master 
Dimmer channels.  The Color 
Macro/Scroll Channel will 
override this channel.  

 

CH 3   : Green 

 Sets relative intensity of Green. 
Actual value is subject to Master 
Dimmer channels.  The Color 
Macro/Scroll Channel will 
override this channel. 

 

CH 4   : Blue 

 Sets relative intensity of Blue.  
Actual value is subject to Master 
Dimmer channels.  The Color 
Macro/Scroll Channel will 
override this channel.   

 

CH 5   : White 

 Sets relative intensity of White. 
 

Actual value is subject to 

Master Dimmer channels.  The 
Color Macro/Scroll Channel will 
override this channel.   

Channel

Function 

Master Dimmer (0-255) 

2 Red 

(0-255) 

3 Green 

(0-255) 

4 Blue 

(0-255) 

5 White 

(0-255) 

Color Macro/Scroll (0-255) 

7 Strobe 

(0-255) 

CH 1 – Master Dimmer 
DMX Value 

Function 

0 – 4 

Black Out 

5-255 

Intensity - Dark to Full Brightness 

CH 2 – Red 
DMX Value 

Function 

0-4 No 

Output 

5-255 

Intensity - Off to Full On 

CH 3 – Green 
DMX Value 

Function 

0-4 No 

Output 

5-255 

Intensity - Off to Full On 

CH 4 – Blue 
DMX Value 

Function 

0-4 No 

Output 

5-255 

Intensity - Off to Full On 

CH 5 – White 
DMX Value 

Function 

0-4 No 

Output 

5-255 

Intensity - Off to Full On 

 


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10

CH 6   : Color Macro/Scroll 

 

The Color Macro/Scroll selects 

between 16 colors and two Color 
Scroll Modes.  The first Color 
Scroll Mode snaps between 
colors, the second Color Scroll 
Mode fades between colors. This 
will override the relative values set 
by the individual RGBW channels 
2, 3, 4 & 5. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

CH 7   : Strobe 

 

The Strobe functions in all 

modes.  The strobe effect will 
toggle the Master Level between 
Off and its present value. 

CH 6 – Color Macro/Scroll 

DMX Value 

Function 

0-4 

No Macro or Scroll 

5-7 Cool 

White 

8-11 Lt. 

Blue 

12-15 Blue 
16-19 Purple 
20-23 Blue 

Magenta 

24-27 Magenta 
28-31 Hot 

Pink 

32-35 Pink 
36-39 Red 
40-43 Orange 
44-47 Yellow 
48-51 Lime 
52-55 Lt. 

Green 

56-59 Green 
60-63 Teal 
64-67 Cyan 
68-71 

Cool White + White 

72-75 

Lt. Blue + White 

76-79 

Blue + White 

80-83 

Purple + White 

84-87 

Blue Magenta + White 

88-91 

Magenta + White 

92-95 

Hot Pink + White 

96-99 

Pink + White 

100-103 

Red + White 

104-107 

Orange + White 

108-111 

Yellow + White 

112-115 

Lime + White 

116-119 

Lt. Green + White 

120-123 

Green + White 

124-127 

Teal + White 

128-131 

Cyan + White 

132 

Cool White + White 

133-195 

Color Scroll Snap  (Fast to Slow) 

196-255 

Color Scroll Fade (Fast to Slow) 

CH 7 – Strobe 

DMX Value 

Function 

0-4 No 

Strobe 

5-255 

Strobe Effect - Slow to Fast 

 


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11

DMX-512 Control

 

Fixtures require a "Start Address" from 1 to 512, setting the first DMX channel containing data 
for the fixture (see DMX Background).  Before addressing fixtures, consult the manual of the 
system’s DMX controller to select a desirable addressing scheme.  Valid Start Addresses range 
from 1 to 512.  Fixtures requiring more than one channel for control will read subsequent 
channels up to the total number of channels required.  Since this fixture requires 7 channels of 
DMX, if set to a Start Address of 7 it would use data from channels: 7, 8, 9, 10, 11, 12, and 13.  
Choose a Start Address so the channels used do not overlap with other fixtures.  In some 
cases, it may be desirable to set two or more same type fixtures to the same Start Address.  In 
this case, the fixtures will be slaved together and respond to the same data.  Because all 
fixtures see the same data, fixtures may be set to any address without concern for the order 
they are connected by the DMX cables.   

 
Note:

 For DMX to operate on this unit, all STANDALONE options must be set to Off. 

 

DMX Data Connection 

This fixture uses 5 pin XLR type connectors and shielded twisted pair cable approved for 
EIA-422/EIA485 use.  Fixtures are connected in Daisy Chain topography:  Connection is 
made from the controller to the DMX-IN of the first light, then from the DMX-OUT to the 
DMX-IN of the next light and so on.  Only one data source can be on a chain and no 
branching is allowed.  The physical order in which the fixtures are connected is not 
important, use the most convenient.  

 
 
 
 
 
 
 
 
 
 

Data Terminator 

A Data Terminator can be connected to the DMX-OUT of the 
last fixture to reduce the effects of signal noise; it is not required 
for all installations. To make a Terminator, connect a 120-ohm 
¼ watt resistor across pin 2, Data Negative (S-) and pin 3, Data 
positive (S+). Whether it is a 5 pin XLR or 3 pin XLR connector 
(shown on right) does not matter, the pin numbers remain the 
same. A qualified technician can determine if a Data Terminator 
is needed. 

 

 

DMX-IN



3
4
5

 
 
 

- Ground
- Signal (-)
-
-
-

 
 
 

S

(Unused)

ignal 

 

(+)

XLR Connector - Plug:

1

2

3

4

5

DMX-OUT

XLR Connector - Socket:



3
4
5

 
 

- Ground
- Signal (-)
-
-
-

 
 

S

(Unused)

ignal 

 
 

(+)

1

2

3

4

5

 


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12

Adapter

 

5-to-3 pin 

Systems using 5 pin DMX interfaces can be accommodated by purchasing 3-to-5 pin 
adapters or building adapter cables.  Numbers designating each pin can be found on 
connectors.  Converting between the two XLR types is done in a pin-to-pin fashion.   
Connect the shields to pin 1, then connect pin 2 to pin 2 and pin 3 to pin 3, regardless of 
either connector’s gender or pin count.  No connection is made to Pins 4 & 5. 
 

 
 

 
 
 
 
 
 
 
 
 
 
 
 

DMX Start Address 

To place the fixture in DMX mode, press the MENU key, then using the UP/DOWN keys 
get to the Address Menu Option. Press ENTER and using the UP/DOWN buttons, set the 
start address number for this particular unit in the DMX chain. Once selected, press 
ENTER again to save your selection.  More than one fixture may have the same start 
address, but they will behave the same. Giving a unique start address that does not 
overlap with any other units allows you to individually control that fixture’s features fully. 
Never allow channels to overlap.  You will need to select the number of channels you 
wish the fixture to use first.  Your choices are 4, 5, 6, or 7 channel modes.  This will 
determine the spacing of channels you will need to avoid overlapping of channels when 
selecting your start addresses. 

 

Example

 

Select Start Addresses for 4 fixtures each requiring 7 channels of DMX (7 

channel mode).

 

For this example, start with the first unit set to the first possible Start Address = 

1

.  This fixture 

occupies DMX channels 1 thru 7.  The next DMX channel available for a Start Address is found 
by adding the previous fixture’s Start Address to its channel requirement: 1+7=

8

.  To maximize 

channel usage, we will leave no empty channels between fixtures so the second Start Address is 
set to DMX channel 8 and that fixture occupies channels 8 thru 14.  The third fixture will be 
addressed 8+7=

15

 and occupy channels 15 thru 21.  The last fixture is addressed 15+7=

22

 and 

will occupy channels 22 thru 28.  Thus, 4 fixtures using 7 channels each have Start Addresses of 

1, 8, 15

 and 

22

 and the next free channel in the system is 22+7=29.  

5 Pin  XLR  (Plug)
Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)
Pin 4: N/C
Pin 5: N/C

3 XLR 

(S

)

Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)

Pin ocket

5 Pin XLR (Socket)
Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)
Pin 4: N/C
Pin 5: N/C

 XLR (Plug)

Pin 1: GND(Sheild)
Pin 2: Signal(-)
Pin 3: Signal(+)

Pin

 


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13

Maintenance 

Make sure fixture is cool and disconnected from power mains before any service. 

 

 

Weekly operating hours and environmental conditions will establish how often the fixtures need 
cleaning.  Fixtures should be cleaned and inspected at least once a month to maintain optimum 
performance.  Accumulation of dust and fog residue increases heat build up, can lead to 
malfunctions, overheating and reduction in maximum light output, reduced fixture life and over 
all performance.  Before conducting any maintenance, disconnect fixture from power mains.   
  
1) Disconnect fixture from power mains. 
2) Use a vacuum with a soft brush to remove dust collected on external vents and internal 
components.  If using an air compressor, use low pressures and extreme care to prevent 
damaging any internal parts or effects. 
4) Clean all optical elements when the fixture is cold.  Use a soft lint free cotton cloth or tissue 
and cleaner safe for plastics.  
5) Inspect clamps and safety cables to ensure fixture is secure and safe. 
 
 

Accessory Items 

(sold separately)

 

Order Code 

Description 

CLAMP-MEGA/B 

Mega Heavy Duty Aluminum Clamp – Black 

CLAMP-CBHALF 

Half Cheeseborough Coupler 300kg Max Load  

 

 

SAFETYCABLE18B 

Safety Cable Black 18” 

SAFETYCABLE18S 

Safety Cable Silver 18” 

 

 

PA-FLEXIBARN/B 4-Leaf 

Barndoors 

 

 

ZOLE1000 - 1004 

Optional Lenses 10, 15, 25, 30, 45 degrees 

UG-LSD1010 – 6060 

Various LSD filter options - 10x10, 10x30, 20x20, 30x30, 
40x40, 60x01, 60x60 

 

 

CA-XLR5/5 

Pre-made 5’  5-pin XLR Cable 

CA-XLR5/10 

Pre-made 10’ 5-pin XLR Cable 

CA-XLR5/25 

Pre-made 25’ 5-pin XLR Cable 

CA-XLR5/50 

Pre-made 50’ 5-pin XLR Cable 

CA-XLR5/100 

Pre-made 100’ 5-pin XLR Cable 

 

 

CO-XLR5M   

XLR Connector 5-pin Male 

CO-XLR5F 

XLR Connector 5-pin Female 

 

 

CO-XLRTERM5 

XLR 5 Pin Data Terminator 

 

 

CO-XLR3MTO5F 

XLR 3 Pin Male to 5 Pin Female Adapter 

CO-XLR5MTO3F 

XLR 5 Pin Male to 3 Pin Female Adapter 

 
 

 


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14

Troubleshooting 

Symptom 

Possible Cause / Solution 

Check for power on mains 

No Power 

Check main fuse and fuse holder 

Check data cables: connection and proper wiring 

Check Display settings 

Erratic / No response to DMX 

Check Start Address 

Check Start Address 

Check for overlapping addresses 

Check Menu settings 

Incorrectly responds to DMX 
(Diagnostic technique for DMX issues: Set 
suspect fixture’s Start Address the same as a 
correctly functioning fixture. If both units then 
function correctly, issue is programming) 

Check Data cables (faults and proper wiring) 

 
 

DMX-512 Background 

DMX-512 is a digital data transmission standard developed by the United States Institute for Theater Technology 
(USITT).  It is designed to enable control of lighting equipment.  DMX deals solely with the formatting of data for 
transmission and does not dictate how the data is created or used. 
 
Under DMX, signals are transmitted in much the same way a computer modem transmits data.  The Data, divided 
into channels, is "Framed" using a start bit, high (1), eight data bits and finally, two stop bits, both high (1). DMX 
uses no parity to check the integrity of the signal.  Instead, DMX relies on the ultra low probability of an error 
occurring in the same place when the data is resent.  The rate at which data is sent is fixed at 250k bps, almost 
four and a half times faster that a 56k modem.   This speed allows all data on a DMX chain to be updated more 
than 44 times every second. 
 
The transmitted data follows a specific format. DMX allows for 512 channels each with eight data bits, giving each 
channel the possibility of 256 values.  When a data "Packet" is sent, all channels are transmitted one after another. 
 Even if the data on a specific channel has not been changed, it must be sent.  In a packet, a "start code" of all 
zeros is sent before the data to identify the signal as a Standard DMX transmission.  This start code is transparent 
to the user and is handled by the controller. 
 
The physical signals are transmitted using a twisted pair of wires and a common shield, a configuration called 
Balanced.  The controller and all receiving equipment are connected using a “Daisy Chain" connection.  The signal 
is jumped from the controller to a piece of DMX equipment.  From there, the signal is jumped to the next piece of 
equipment and so on until the last piece of equipment is connected.  No branches are allowed and the signal does 
not come back to the controller.  The final piece of equipment will have only one cable connection.  As a result, all 
equipment connected to the chain will see exactly the same signal whether it is first or last.  When connecting 
equipment, no particular attention needs to be paid to the order in which the equipment is connected.  Depending 
on the conditions and equipment, a line terminator may be required.  If there is any question, in most circumstances 
the addition of a terminator will not degrade the signal.  To make a terminator, attach a 120-ohm resistor between 
the Signal Data Negative and Signal Data Positive pins of a connector in the last piece of equipment in the chain. 
 
The DMX Standard uses 5 pin XLR connectors.  However, it is common to see 
fixtures with 3 pin XLR connectors as these types of balanced or “Lo-Z” cables 
are common in the audio industry.  In either case, pin numbers are the same 
and carry the same signals.  
 

 
10900 Palmbay Drive • Orlando, FL 32824 U.S.A. 
www.techni-lux.com 

Pin 

Connection 

Common (Shield) 

Data Negative (S- or Cold) 

Data Positive (S+ or Hot) 

n/c (not used) 

n/c (not used)