PDF User Manual

  1. Home
  2. Manuals
  3. Techni-Lux DL-BAR10C252 Manual

Techni-Lux DL-BAR10C252 Manual

Made by: Techni-Lux
Type: Manual
Category: DJ Equipment
Pages: 11
Size: 1.19 MB

 

Download PDF User Manual



Full Text Searchable PDF User Manual



background image

 
 

 

 
 
 
 
 
 

                       

 

 
 
 

 

 

 

 

 

 

 

 

Information specifically for:

 

 

 

DL-BAR10C252 

 

 

 

 

 

 

 

 

 

 

V1 

This manual contains important information.

Please read before operating fixture.

 


background image

 

IMPORTANT INFORMATION

 

 
 

Save original packing and documentation for warranty, service and return issues

 
 
Limited Warranty: This warranty covers defects or malfunctions in this equipment.  This warranty lasts for a 
period of one year from date of purchase.  It is the owner’s responsibility to provide invoices for proof of 
purchase, purchase date and dealer or distributor.  If purchase date can not be provided, warranty period 
will start at manufacture date.  It is the sole discretion of Techni-Lux to repair or replace parts or equipment. 
All shipping will be paid by purchaser.  This warranty does not cover lamps, fuses, belts, power 
semiconductors, relays, cleaning, standard maintenance adjustments or normal wear items or any problem 
resulting from the following: improper wiring, incorrect voltage (including low or over voltage conditions and 
lightning), abuse, misuse, improper maintenance or an act of God or damage resulting from shipping.  
Warranty will be null and void if the product is altered, modified, misused, damaged, or subjected to 
unauthorized repairs.  Lamps are covered by relevant manufacturer warranty.  This warranty gives you 
specific legal rights, and you may also have other rights which vary from state to state.  Any liability for 
consequential and incidental damages is expressly disclaimed.  No other warranty, expressed or implied is 
made.  Techni-Lux liability in all events is limited to, and shall not exceed, the purchase price paid. 
 
Returning equipment and Repairs:  All returns must be accompanied by a Return  Merchandise 
Authorization (RMA) number and sent pre-paid.  Contact the dealer or Techni-Lux directly to obtain an 
RMA.  The RMA number must be clearly listed on the shipping label.  Due care must be exercised in 
packing all merchandise to be returned.  All repairs must be accompanied by a written explanation of the 
claimed problem or error encountered.  Techni-Lux is solely responsible for determining  a product’s 
eligibility for coverage under  warranty.  If returning for consideration of credit, all accessories and 
documentation, original protective material and cartons must be included and the equipment, packing and 
carton must be in new  resalable condition. Credit for returned merchandise will be issued at the lowest 
current price and is subject to a restocking fee.  No returns accepted on discontinued items.  Techni-Lux is 
not responsible for merchandise damaged in transit and reserves the right to refuse any return that is 
damaged by the carrier, not accompanied by a Return Authorization Number (RMA#) or sent by freight 
collect.   
 
Claims:  All claims must be made within seven (7) days of receipt of merchandise.  Any physical damage 
must be reported to carrier upon receipt of merchandise. 
 
 

Please record the following information for future reference: 
Model Number (circle):  

DL-BAR10C252 

 

Serial Number: ________________________________________ 

 

Dealer: ______________________________________________ 

 

Date of Purchase: ______________________________________ 

 
 

www.Techni-Lux.com

 

 
 
 
 

 


background image

 

Table of Contents 

 

 

Specifications................................................................................................................................. 4

 

Unpacking....................................................................................................................................... 5

 

Power .............................................................................................................................................. 5

 

Mounting ......................................................................................................................................... 5

 

Basic Reference ............................................................................................................................. 6

 

Setup & Operation Modes ............................................................................................................. 6

 

Stand-alone Mode ........................................................................................................................ 6

 

Sound-active Mode....................................................................................................................... 6

 

Master / Slave Mode..................................................................................................................... 6

 

DMX Controlling Mode ................................................................................................................. 6

 

DMX-512 Control Mode.................................................................................................................. 7

 

DMX Data Connection.................................................................................................................. 7

 

Data Terminator............................................................................................................................ 7

 

Adapter 5-to-3 pin......................................................................................................................... 7

 

DMX Start Address....................................................................................................................... 8

 

DMX Channel Assignment............................................................................................................. 9

 

DMX Function Table – Based on first channel ............................................................................. 9

 

Maintenance ................................................................................................................................. 10

 

Accessory Items (sold separately) ............................................................................................. 10

 

Troubleshooting........................................................................................................................... 11

 

DMX-512 Background .................................................................................................................. 11

 

 

 


background image

 

Specifications 

 

Fixture Overview  

  RGB color mixing with intensity and strobe effects 

  252 ultra bright 10mm LEDs: 48 red, 108 green, 96 blue 

  Long Life LED light source 

  Controllable as one bar or in 3 segments of 1/3 sections 

  Operating modes: DMX, Color Changing, Sound Active, Master/Slave 

  Floor standing with side brackets or hanging 

  Beam angle: approximately 30 degrees 

  DMX512 using up to 12 channels maximum 

  DMX input/output via 3 pin XLR 

  Dip switch for settings 

 

Physical  

Color     

Black 

Size     

41.5" x 2.5" x 3.5" 

Weight 

6  lbs (2.7 kg) 

 

Environmental 

Location 

 

 

 

 

 

Indoor 

Max. ambient temperature  

 

 

105°F (40°C) 

Min. distance to flammable surface 

 

3.3ft (1m) 

Min. distance to illuminated surface 

 

1ft (0.3m) 

 

Electrical 

Voltage 

 

 

Auto-Ranging 100-230vAC, 50-60Hz 

Rated Power  

 

30W 

Fuses  

 

 

2A Mini Size: 5x20mm  

 

Control 

Digital Protocol 

 

USITT DMX512 (1990) 

Channels 

 

 

2, 3, 4, 5, 6, 12 (12 maximum) 

Data I/O 

 

 

3 Pin XLR (Cannon) 

Modes 

 

 

DMX512 or Stand-Alone 

 

Optics 

Light Source  

 

252 High Output 10mm RGB LED Elements 

Beam Angle   

 

30 degrees

  

 

Rigging 

Orientation   

 

Any 

Mounting Points 

 

Angle adjustable bracket with 1/2” (13mm) mounting hole 

 

 

 

 


background image

 

Unpacking 

Immediately upon receipt, carefully unpack and inspect the  fixture to verify that all parts are 
present and have been received in good condition.  If any parts appear damaged from shipping or 
the shipping carton shows signs of mishandling, notify the shipper immediately.  Retain carton and 
all packing material for inspection.  In the event that the merchandise is to be returned, the original 
carton and packing must be used.  The customer will be billed for a new carton and packing  if 
merchandise is received without the original carton and packing. 
 
 

Claims 

Physical damage must be reported to the Freight Carrier or Shipping Company upon receipt 
of merchandise.  Damage incurred in shipping is the responsibility of the Freight Carrier or 
Shipping Company.  It is the customer’s obligation in the event that merchandise is received 
damaged, to notify the Freight Carrier or Shipping Company immediately.  All other claims 
not related to damage incurred during shipping must be made to the Dealer or Distributor 
within 7 days of receiving merchandise.  

 
 

Returns 

Returned merchandise must be  in the original packing  with  a Return Merchandise 
Authorization number (RMA) clearly listed on the shipping label.    Items sent by Freight 
Collect  or  without a RMA number will be refused.   Call your sales person and request a 
RMA prior to shipping.  Be prepared to provide the model number, serial number and 
description of the nature of the return.  Shipping  damage resulting from inadequate 
packaging is the customer’s responsibility.    Customer will be charged additional shipping 
charges to return products received in non original packing and or cartons. 

 
 

Power 

 

Do not apply power to the fixture until power source is verified. 

 

For protection against electric shock, fixture must be connected to suitable earth ground. 
Make sure fixture is disconnected from power mains before any service. 

 
This fixture automatically adjusts to mains voltage and frequency 110-240vac 50/60Hz.  The listed 
power rating is its average wattage under normal conditions. All fixtures must be powered directly 
from  a  switched circuit.  This fixture cannot be run  on  a rheostat or dimmer circuit even if used 
solely for a 0% to 100% switching.  Before applying power to a fixture, check that the fixture’s input 
voltage matches the power  source voltage.  Consult a qualified electrician if there are any 
concerns about proper connection to power. 
 
 

Mounting 

Always consult a qualified professional when rigging.    Consider access for routine maintenance 
when selecting a mounting position. This fixture may be mounted in any position provided there is 
adequate room for movement and ventilation.  Mount the fixture securely using a mounting clamp 
and a safety cable.  Do not mount where the fixture will be exposed to rain, high humidity, extreme 
temperature changes or restricted ventilation.  Do not obstruct any vents. 

 

 


background image

 

Basic Reference 

 

 

       

 

 

 

Setup & Operation Modes 

For this fixture to operate correctly you must  first  set the dip switches to  the desired operation 
mode. This tells the fixture how it is to perform and what signals (if any) it is to respond to. When 
DIP Switch #10 is in the OFF position, the remaining switches  Dips 1-9  can be used to  set  the 
fixture in various stand-alone modes. Stand-alone refers to using the fixture without a controller. 
 

Stand-alone Mode 

With Dip 9 OFF & Dip 10 OFF: 

Dip 1 - Dip 4 to select different built-in running programs. 
Dip 5 – Dip 6 allows adjustment of the color change speed. 
Dip 7 – Dip 8 adjusts the strobe flash speed. 

 

Sound-active Mode  

With Dip 9 ON and Dip 10 OFF: 

 

 

Dip 1 – Dip 4 set the sound sensitivity. 

 

Master / Slave Mode 

With  Dip 10  set  to ON, and all other dipswitches  set  to OFF, the unit will go into SLAVE 
mode and follow the master unit. Standard DMX interconnect cables between fixtures is 
required for this mode to operate.  

 

DMX Controlling Mode 

Set Dip 10 to ON,  and  use Dips  1-9  to set the start address. Refer to the  section titled, 
“DMX Control Mode”.  

 
 

 


background image

 

DMX-512 Control Mode

 

Fixtures require a "Start Address" from 1 to 512, setting the first DMX channel containing data for 
the fixture (see DMX Background).  Before addressing fixtures, consult the manual of the system’s 
DMX controller to select a desirable addressing scheme.  Valid Start Addresses range from 1 to 
512.  Fixtures requiring more than one channel for control will read subsequent channels up to the 
total number of channels required.  Since this fixture requires 12 channels maximum of DMX, if set 
to a Start Address of 7 it would use data from channels: 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17 and 
18.   Choose a Start Address so the channels used do not overlap with other fixtures.  In some 
cases, it may be desirable to set two or more same type fixtures to the same Start Address.  In this 
case, the fixtures will be slaved together and respond to the same data.  Because all fixtures see 
the same data, fixtures may be set to any address without concern for the physical order they are 
connected by the DMX cables.  This fixture has multiple DMX channel settings, 12 channels being 
the maximum and offering the maximum controllability over the fixture.  Other more conservative 
DMX modes that use fewer DMX channels are available.  All examples given are based on using 
the maximum feature set of 12 DMX channels. 
 

DMX Data Connection 

This fixture uses 3 pin XLR type connectors and shielded twisted pair cable approved for 
EIA-422/EIA485 use.  Fixtures are connected in Daisy Chain topography:  Connection  is 
made from the controller to the DMX-IN of the first light, then from the DMX-OUT to the 
DMX-IN of the next light and so on.  Only one data source can be on a chain and no 
branching is allowed.  The physical order in which the fixtures are connected is not 
important, use the most convenient.  

 
 
 
 
 
 
 
 

 

Data Terminator 

A Data Terminator can be connected to the DMX-OUT of the last fixture 
to reduce the effects of signal noise; it is not required for all installations. 
To make a Terminator, connect a 120-ohm ¼ watt resistor across pin 2, 
Data Negative (S-) and pin 3, Data positive (S+). A qualified technician 
can determine if a Data Terminator is needed. 

 

 

Adapter

 

5-to-3 pin 

Systems using 5 pin DMX interfaces can be accommodated by purchasing 3-to-5 pin 
adapters or building adapter cables.  Numbers designating each pin can be found on 
connectors.  Converting between the two XLR types is done in a pin-to-pin fashion.   
Connect the shields to pin 1, then connect pin 2 to pin 2 and pin 3 to pin 3, regardless of 
either connector’s gender or pin count.  No connection is made to Pins 4 & 5. 
 
 

DMX-OUT

1

- Ground

- Signal (-)

- Signal (+)

XLR Connector - Socket:

 

DMX-IN



- Ground
- Signal (-)
- Signal (+)

XLR Connector - Plug:

 


background image

 

 

 

 

 

 

 

 

 

DMX Start Address 

To place the fixture in DMX mode, DIP Switch #10 is set ON.  Next, set the start 
address using the other DIP Switches located on the back of the fixture.  Each 
switch has an associated value.  Adding the value of each switch in the ON 
position gives the start address.  Determining which switches to toggle ON given 
a specific start address is accomplished by subtracting the largest switch value 
possible from the selected start address which does not cause a negative 
number.  Continue this process until zero is reached, always subtracting the 
largest possible value that does not cause a negative. 
 
 

Example1:

 

DIP Switch settings for the address of 90:

  Listed with each 

switch is its associated binary value.  The first switch has a value of 1 and each following switch 
doubles in value.  Do not confuse the switch with its value.  Start by subtracting the largest switch 
value possible that doesn’t cause a negative result: 90–

64

=26.  

Continue by subtracting the next largest switch value possible 
until zero is reached:  26–

16

=10,  10–

8

=2,   2–

2

=0.  Set the 

switches corresponding to the values 64, 16, 8 and 2 to the ON 
position: switch # 7, switch # 5, switch # 4 and switch # 2

 – plus 

the DMX switch #10.

 

 
Addressing multiple fixtures of the same type is accomplished by 
simply adding the number of channels required to the start address of the first fixture to yield the 
start address of the next fixture. Although this fixture can be used in modes that occupy less than 
12 channels, it is highly recommended that the units are still addressed 12 channels apart.  This 
reduces the chances of data overlapping if the console or control is to become temporarily mis-
configured or unstable. 
 

Example2

 

Select Start Addresses for 4 fixtures each requiring 12 channels of DMX.

 

For this example, start with the first unit set to  the first possible  Start Address  = 

1

.  This fixture 

occupies DMX channels 1 thru 12.  The next DMX channel available for a Start Address is found by 
adding the  previous fixture’s Start Address to  its channel  requirement: 1+12=

13

.  To maximize 

channel usage, we will leave no empty channels between fixtures so the second Start Address is set 
to DMX channel  13 and that fixture occupies channels  13 thru  24.  The  third  fixture will be 
addressed 13+12=

25

 and occupy channels 25 thru 36.  The last fixture is addressed 25+12=

37

 and 

will occupy channels 37 thru 48.  Thus, 4 fixtures using 12 channels each have Start Addresses of 

1, 13, 25

 and 

37

 and the next free channel in the system is 37+12=49.  

 

 

 

DIP Switch Values

 

Switch 

Value 

16 

32 

64 

128 

256 

10 

DMX 
Function 

5 Pin 

 XLR (Plug)

Pin 1: GND(Sheild)

Pin 2: Signal(-)

Pin 3: Signal(+)

Pin 4: N/C

Pin 5: N/C

3 XLR (S

)

Pin 1: GND(Sheild)

Pin 2: Signal(-)
Pin 3: Signal(+)

Pin ocket

5 Pin XLR (Socket)

Pin 1: GND(Sheild)
Pin 2: Signal(-)

Pin 3: Signal(+)

Pin 4: N/C

Pin 5: N/C

3  XLR (Plug)

Pin 1: GND(Sheild)

Pin 2: Signal(-)
Pin 3: Signal(+)

Pin

 


background image

 

DMX Channel Assignment 

 

DMX Function Table – Based on first channel 

 

The DMX channel functions in the table below depend on the value of channel 1. Channel 1 
of the fixture which is also the start address, sets what the rest of the channels will do.  If 
you wish to use this fixture in the most versatile mode, channel 1 would be set to a DMX 
value between 1 to 15 from your DMX controller. The table below  applies to the fixture 
when function Dip switch # 10 is set to ON and a start address is set using Dips 1-9. 

 

CH1 

CH2 

CH3 

CH4 

CH5 

CH6 

CH7 

CH8 

CH9 

CH10 

CH11 

CH12 

000 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

Blackout 

 

1-15 

Master 

dimmer  

0-255 

Flash 

0-255 

Red 

Section1 

0-255 

Green 

Section1 

0-255 

Blue 

Section1 

0-255 

Red 

Section2 

0-255 

Green 

Section2 

0-255 

Blue 

Section2 

0-255 

Red 

Section3 

0-255 

Green 

Section3 

0-255 

Blue 

Section3 

0-255 

 

16-31 

Master 

dimmer 

0-255 

Flash 

0-255 

Red 

Sections

1,2,3 

0-255 

Green 

Sections 

1,2,3 

0-255 

Blue 

Sections

1,2,3 

0-255 

 

 

 

 

 

 

32-47 

Red 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

48-63 

Green 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

64-79 

Blue 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

80-95 

Purple 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

96-111 

Yellow 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

112-127 

Cyan 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

128-143 

White 

 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

144-159 

Color 

change 

Speed 

0-255 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

160-175 

Color 

chase 

Speed 

0-255 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

176-191 

Color fade 

Speed  

0-255 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

192-207 

Multi color 

chase 

Speed 

0-255 

Flash 

0-255 

 

 

 

 

 

 

 

 

 

208-223 

Fading 

flow 

Speed 

0-255 

Flash 

0-255 

Color 

select 

0-255 

 

 

 

 

 

 

 

 

224-239 

Two color 

flow 

Speed 

0-255 

Flash 

0-255 

Color 

select 

0-255 

Color 

select 

0-255 

 

 

 

 

 

 

 

240-255 

Sound 

control 

Sensitivity 

0-255 

 

 

 

 

 

 

 

 

 

 

 

 

 


background image

 

10 

Maintenance  

Make sure fixture is cool and disconnected from power mains before any service. 

 

 

Weekly operating hours and environmental conditions will establish how often the fixtures need 
cleaning.  Fixtures should be cleaned and inspected at least once a month to maintain optimum 
performance.  Accumulation of dust and fog residue increases heat build up, can lead to 
malfunctions, overheating and reduction in maximum light output, reduced fixture life and over all 
performance.  Before conducting any maintenance, disconnect fixture from power mains.   
  
1) Disconnect fixture from power mains. 
2) Use a vacuum with a soft brush to remove dust collected on external vents and internal 
components.  If using an air compressor, use low pressures and extreme care to prevent 
damaging any internal parts or effects. 
4) Clean all optical elements when the fixture is cold.  Use a soft lint free cotton cloth or tissue and 
cleaner safe for plastics.  
5) Inspect clamps and safety cables to ensure fixture is secure and safe. 
 
 

Accessory Items 

(sold separately)

 

 

Order Code 

Description 

CLAMP-C 

Medium Duty C-Clamp 

CLAMP-MEGA/B 

Mega Clamp – Heavy Duty – Black for 1” to 2” diameter pipe 

CLAMP-MINI/B 

Mini Clamp Black for 3/4" - 2" 

CLAMP-CBHALF/N 

Half Cheeseborough Coupler Narrow 300kg Max Load 

 

 

SAFETYCABLE18B 

Safety Cable Black 18” 

SAFETYCABLE18S 

Safety Cable Silver 18” 

 

 

CA-XLR3/1 

Pre-made 1’  3-pin XLR Cable 

CA-XLR3/5 

Pre-made 5’  3-pin XLR Cable 

CA-XLR3/10 

Pre-made 10’ 3-pin XLR Cable 

CA-XLR3/25 

Pre-made 25’ 3-pin XLR Cable 

CA-XLR3/50 

Pre-made 50’ 3-pin XLR Cable 

CA-XLR3/100 

Pre-made 100’ 3-pin XLR Cable 

 

 

CO-XLR3M   

XLR Connector 3-pin Male 

CO-XLR3F 

XLR Connector 3-pin Female 

CO-XLR5M   

XLR Connector 5-pin Male 

CO-XLR5F 

XLR Connector 5-pin Female 

 

 

CO-XLRTERM3 

XLR 3 Pin Data Terminator 

 

 

CO-XLR3MTO5F 

XLR 3 Pin Male to 5 Pin Female Adapter 

CO-XLR5MTO3F 

XLR 5 Pin Male to 3 Pin Female Adapter 

 

 

 


background image

 

11 

Troubleshooting 

Symptom 

Possible Cause / Solution 

Check for power on mains 

No Power 

Check main fuse and fuse holder 
Check data cables: connection and proper wiring  
Check DIP Switch settings (#10 set to on) 

Erratic / No response to DMX 

Check Start Address 
Check Start Address 
Check for overlapping addresses 
Check DIP Switch settings 

Incorrectly responds to DMX 
(Diagnostic technique for DMX issues: Set 
suspect fixture’s Start Address the same as a 
correctly functioning fixture. If both units then 
function correctly, issue is programming) 

Check Data cables (faults and proper wiring) 

 
 

DMX-512 Background 

DMX-512  is a digital data transmission standard developed by the United States Institute for Theater Technology 
(USITT).  It is designed to enable control of lighting equipment.  DMX deals solely with the formatting of data for 
transmission and does not dictate how the data is created or used. 
 
Under DMX, signals are transmitted in much the same way a computer modem transmits data.  The Data, divided into 
channels, is "Framed" using a start bit, high (1), eight data bits and finally, two stop bits, both high (1). DMX uses no 
parity to check the integrity of the signal.  Instead, DMX relies on the ultra low probability of an error occurring in the 
same place when the data is resent.  The rate at which data is sent is fixed at 250k bps, almost four and a half times 
faster that a 56k modem.   This speed allows all data on a DMX chain to be updated more than 44 times every second. 
 
The transmitted data follows a specific format. DMX allows for 512 channels each with eight data bits, giving each 
channel the possibility of 256 values.  When a data "Packet" is sent, all channels are transmitted one after another.  
Even if the data on a specific channel has not been changed, it must be sent.  In a packet, a "start code" of all zeros is 
sent before the data to identify the signal as a Standard DMX transmission.  This start code is transparent to the user 
and is handled by the controller. 
 
The physical signals are transmitted using a twisted pair of wires and a common shield, a configuration called 
Balanced.  The controller and all receiving equipment are connected using a “Daisy Chain" connection.  The signal is 
jumped from the controller to a piece of DMX equipment.  From there, the signal  is jumped to the next piece of 
equipment and so on until the last piece of equipment is connected.  No branches are allowed and the signal does not 
come back to the controller.  The final piece of equipment will have only one cable connection.  As a result, all 
equipment connected to  the  chain will see exactly the same signal whether it is first or last.  When connecting 
equipment, no particular attention needs to be paid to the order in which the equipment is connected.  Depending on 
the conditions and equipment, a line terminator may be required.  If there is any question, in most circumstances the 
addition of a terminator will not degrade the signal.  To make a  terminator, attach a 120-ohm resistor between the 
Signal Data Negative and Signal Data Positive pins of a connector in the last piece of equipment in the chain. 
 
The DMX Standard uses 5 pin XLR connectors.  However, it is common to see 
fixtures with 3 pin XLR connectors as these types of balanced or “Lo-Z” cables are 
common in the audio industry.  In either case, pin numbers are the same and carry 
the same signals.  
 
 

 
 
10900 Palmbay Drive • Orlando, FL 32824 U.S.A. 
www.techni-lux.com 

Pin 

Connection 

Common (Shield) 

Data Negative (S- or Cold) 

Data Positive (S+ or Hot) 

n/c (not used) 

n/c (not used)